Snakes & Ladders: Part 1 – King Pakal’s Sacred Vendetta Inscribed in Stone on the Stairway to the House of Heaven.

The Archetypal Maya rivalry between Pakal’s Lineage of Baakal, associated with the White Heron, and the archenemy Lineage of Kaan, associated with the Snake.

[Versión en Español aquí]

The official INAH Mexico has recently announced the results of a new epigraphic study of the Maya glyphs inscribed on the Hieroglyphic Stairway of the Palace of Lakamha’ (Palenque, Chiapas). This new reading goes deeper into the narrative of the sacred wars led by Pakal the Great against the Snake Kingdom (Kaan Kingdom), the archenemy of his sacred lineage who, in the past, not only destroyed the inscriptions and monuments of Palenque but also assassinated most of the royal line. It is now known that Pakal had a primal vendetta against the Snake bloodline, the reason why he not only captured and sacrificed his rivals, but he also desecrated the skeletal remains of the ones who attacked his city even before he was born.

hieroglyphic-stairway-palenque-inah

In this all new Tortuga 13:20 Series, Galactic Maya researchers Gar Magusa and Itzadragon unearth and dissect some of the deepest enigmas of the Palenque Maya. Legendary events that Pakal the Great himself deemed important enough to be inscribed in stone, once again see the light.

Tortuga 13:20 are proud to be part of this unveiling, because “Reconstructing the Planet Art Legacy” does not only apply to the cultural movement initiated by the visionary work of Jose and Lloydine Argüelles. The great reconstruction extends deep into the original source of this wisdom, which is anchored in the Maya Myth of Lakamha’ (Palenque). Both authors tirelessly researched and studied the inscriptions and mythic history, transcribing and transcreating its essence into the prophetic dispensation of the Dreamspell and Telektonon. We must however understand, that at their point in the timeline, not everything about the inscribed history of Palenque had been completely deciphered.

Considering the rapid development of the Maya Epigraphy, the study of these hieroglyphs is a key to accurately understand the Maya Transmission, a historical truth which has always been inscribed. As such, we find ourselves in a unique position, because the story is still unfolding. We are witnessing in realtime the unravelling of new chapters in this enigmatic narrative.

Hieroglyphic Stairway at Palenque, Palace, House C by Felix Kupprat

Our purpose through this ongoing work is to Unify the Realtime with the Dreamtime. The Ancient with the Future. The Conscious with the Unconscious. Because only by bringing these streams together, can we truly understand and discern the narrative that is unfolding and that which we are being told.

This report focuses on the new decipherments of Pakal’s inscriptions on the Hieroglyphic Stairway at the House C, originally named “U Naah Chan” (“House of the First Heaven”) and situated within the Palace of Lakamha’ (Palenque). This is the story of the primal archetypal rivalry between Pakal’s lineage of Baakal, associated with the White Heron, and the archenemy lineage of Kaan, associated with the Snake.

Continue reading “Snakes & Ladders: Part 1 – King Pakal’s Sacred Vendetta Inscribed in Stone on the Stairway to the House of Heaven.”

Serpientes y Escaleras: Parte 1. La Sagrada Venganza de Pakal Inscrita en la Escalera a la Casa del Cielo.

La rivalidad Maya Arquetípica entre el Linaje de Baakal del Rey Pakal, asociado con la Garza Blanca, y el archienemigo Linaje de Kaan, asociado con la Serpiente.

[English version here]

Recientemente, el organismo oficial INAH México ha anunciado los resultados de un nuevo estudio epigráfico de los glifos mayas inscritos en la Escalera Jeroglífica del Palacio de Lakamha’ (Palenque, Chiapas). Esta nueva lectura profundiza en la narrativa de las guerras sagradas, lideradas por Pakal el Grande, en contra del Reino de la Serpiente (Reino de Kaan), el archienemigo de su linaje, quien en el pasado no sólo destruyó las inscripciones y monumentos de Palenque, sino que también asesinó a la mayoría de su estirpe real. Ahora se conoce que Pakal tuvo una vendetta primal en contra del linaje de la Serpiente, razón por la cual no sólo capturó y sacrificó a sus rivales, sino que también profanó los restos óseos de aquellos que habían atacado su ciudad, incluso antes de su propio nacimiento.

hieroglyphic-stairway-palenque-inah

En esta completamente nueva Serie de Tortuga 13:20, los investigadores de Estudios Maya Galácticos, Gar Magusa e Itzadragon, desentierran y diseccionan algunos de los enigmas más profundos de los Maya de Palenque. Ahora salen a la Luz eventos legendarios que el mismo, Pakal el Grande, consideró suficientemente importantes como para dejar inscritos en piedra.

Tortuga 13:20 se enorgullece de formar parte de esta develación, ya que la “Reconstrucción del Arte Planetario” no solamente se refiere al movimiento cultural iniciado por el visionario trabajo de José y Lloydine Argüelles. La gran reconstrucción se extiende más profundamente a la fuente original de esta sabiduría, la cual está anclada en el Mito Maya de Lakamha’ (Palenque). Ambos autores investigaron y estudiaron sin descanso las inscripciones y la historia mítica, transcribiendo y transcreando así su esencia en la dispensación profética del Dreamspell (Encantamiento del Sueño) y del Telektonon. No obstante, debemos entender que desde su posición en la línea de tiempo, no todo lo que hoy se conoce de la historia inscrita de Palenque había sido descifrado completamente.

Considerando el rápido desarrollo de la Epigrafía Maya, el estudio de estos jeroglíficos es clave para entender la Transmisión Maya, una verdad que ha estado siempre inscrita. De este modo, nos encontramos en una posición única, porque la historia aún se está desplegando. Estamos siendo testigos en tiempo real del desentrañamiento de nuevos capítulos de esta enigmática narrativa.

Hieroglyphic Stairway at Palenque, Palace, House C by Felix Kupprat

A través de este trabajo en curso, el propósito es poder Unificar el Tiempo Real con el Tiempo de Sueño, lo Ancestral con el Futuro, lo Consciente con lo Inconsciente. Sólo a través de la reunión de estas corrientes, podemos entender y discernir la verdadera narrativa que ahora se despliega con claridad y de la cual estamos siendo informados.

De este modo, el presente reporte se enfoca en los nuevos desciframientos de las inscripciones de Pakal en la Escalera Jeroglífica de la Casa C, llamada originalmente “U Naah Chan” (“Casa del Primer Cielo”) y ubicada dentro del Palacio de Lakamha’ (Palenque). Ésta es la historia de la rivalidad arquetípica primal entre el linaje de Baakal del Rey Pakal, asociado con la Garza Blanca, y el archienemigo linaje de Kaan, asociado con la Serpiente.

Continue reading “Serpientes y Escaleras: Parte 1. La Sagrada Venganza de Pakal Inscrita en la Escalera a la Casa del Cielo.”

Time is Art: The Discovery of the Law of Time by José and Lloydine Argüelles. Reconstructing the Planet Art Legacy.

Versión en Español aquí ]

Note to the Reader: This Journalistic Essay was published on the occasion of 28th Anniversary of the Discovery of the Law of Time is Art, commemorated on 10 December 2017. This date marked a significative numeric milestone of 28 years (7+7+7+7) since the memorable uncovering by José and Lloydine Argüelles, which consolidated the foundations of the 13:20 Galactic Maya Transmission of the New Time. Precisely, and according to the same revelation, number 28 encodes the feminine nature of Natural Time, also encoded on Unit 28 of Telektonon which represents the Tower of Bolon Ik. The invitation is to tune in to the universal source of the Archetypal Primordial Mother.


We found ourselves, by destiny, in Geneva, Switzerland, in December 1989, visiting the Museum of Time… when Lloydine and I had the greatest mutual AHA! in all history.—José Argüelles / Valum Votan (1995, Sedona)

The concepts of “Time is Art” or “Law of Time” or “T(E)=Art” have been known or heard by many, but not everybody is aware that they are rooted within the alchemy of a visionary American couple, formed by José y Lloydine Argüelles. Both messengers unleashed a revolution of Planet Art never seen before on Earth, sparking the foundations of the New Time during their perfect 21-year prophetic ministry (1981-2002). The mythic encounter with the “Law of Time is Art” represents one of the most legendary living chronicles that are shared by the Argüelles, also known as Valum Votan and Bolon Ik, Agent 11 and Agent 22.

The Discovery of the Law of Time was inscribed on date 10 December 1989 (Kin 121, Self-Existing Dragon, Mirror Wavespell). As quoted above, this historical Eureka moment was described by José Argüelles as “the greatest mutual AHA! in all history”. In such way, its radiance of wisdom revealed the final design of Dreamspell, the Thirteen Moons  and the Telektonon Prophecy; thereby setting the foundation stones of the Argüelles’ Galactic Maya Cosmology.

Likewise, the same prophetic base sustained their theory, in which they worked during seven memorable years (1989-1996) under the central axis of “Time is Art: T(E)=Art”At the end of this 7-year process, the researchers published T(E)=Art: The Discovery of the Law of Time, the legendary testament co-authored by José and Lloydine Argüelles and printed and distributed by Planet Art Network in 1997. On occasion of the 28 Solar Rings of such a memorable event, Tortuga 13:20 has reconstructed this publication, which is now public again and available as a PDF to all Planetary Kin.

Download “T(E)=Art. The Discovery of the Law of Time” by José and Lloydine Argüelles.

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Central Image: Original booklet of “T(E)=Art. The Discovery of the Law of Time” by José and Lloydine Argüelles. Click image to enlarge.

This Journalistic Essay reconstructs the historical records of the discovery of the Law of Time is Art. It also contributes to restore the Sacred Feminine memory of Lloydine’s Bolon Ik participation in such a remarkable finding for the universal vision of Planetary Peace. In Lak’ech.

Continue reading “Time is Art: The Discovery of the Law of Time by José and Lloydine Argüelles. Reconstructing the Planet Art Legacy.”

El Tiempo es Arte: El Descubrimiento de la Ley del Tiempo por José y Lloydine Argüelles. Legado del Arte Planetario. 

English version here ]

Nota al Lector: Este Ensayo Periodístico fue publicado con motivo del Aniversario 28 del Descubrimiento de la Ley del Tiempo es Arte, ocurrido el 10 de diciembre 2017. Esta fecha marcó el significativo hito numérico de 28 años (7+7+7+7) desde el notable hallazgo realizado por José y Lloydine Argüelles (Valum Votan y Bolon Ik), el cual consolidó los fundamentos de la Transmisión Maya Galáctica de la frecuencia 13:20 del Nuevo Tiempo. Precisamente, y según establece la misma revelación, el número 28 codifica la naturaleza femenina del Tiempo Natural. El mismo número también codifica a la Unidad 28 del Telektonon que es la Torre del Viento de Bolon Ik. La invitación es, entonces, a volver a sintonizar con la fuente universal del Arquetipo de la Madre Primordial.


“En diciembre de 1989, el destino nos llevó a Ginebra, Suiza, donde visitamos el Museo del Tiempo… Y fue ahí donde Lloydine y yo tuvimos el más grande chispazo mutuo de toda la historia”. — José Argüelles / Valum Votan (1995, Sedona)

Muchos conocen o han oído hablar de los conceptos de “Tiempo es Arte” o “Ley del Tiempo” o “T(E)=Arte”, pero no todos saben que éstos están enraizados en la alquimia de una pareja de visionarios, conformada por José y Lloydine Argüelles. Ambos mensajeros impulsaron una revolución de Arte Planetario nunca antes vista en la tierra, sentando así las bases del Nuevo Tiempo durante los 21 años perfectos que duró su ministerio profético (1981-2002). Así, el mítico encuentro con la “Ley del Tiempo es Arte”  constituye una de las crónicas de vida más legendarias que comparten los Argüelles, conocidos también Valum Votan y Bolon Ik, Agente 11 y Agente 22.

El Descubrimiento de la Ley del Tiempo fue inscrito en fecha del 10 de diciembre de 1989 (Kin 121, Dragón Auto-Existente, Onda del Espejo). Como muestra la cita introductoria, este memorable momento histórico de eureka fue referido por José Argüelles como “el más grande chispazo mutuo de toda la historia”. Como tal, sus destellos de sabiduría replicaron en el diseño final de El Encantamiento del Sueño, el Calendario de Trece Lunas y la Profecía del Telektonon; conformando así las piedras angulares de la Cosmología Maya Galáctica concebida por José y Lloydine Argüelles.

A su vez, los mismos fundamentos proféticos sustentaron las pruebas de su teoría, en la cual trabajaron durante siete años (1989-1996) y cuyo eje central fue El Tiempo es Arte: T(E)=Arte”. Al final del proceso de 7 años, los investigadores publicaron T(E)=Arte. El Descubrimiento de la Ley del Tiempo, un legendario libro testamento de su co-autoría e impreso por Planet Art Network (Red de Arte Planetario) en 1997. Con motivo de los 28 Anillos Solares de tan memorable acontecimiento, Tortuga 13:20 reconstruyó dicha publicación, la cual ahora es nuevamente pública en idioma inglés y se encuentra  disponible también en Español en nuevo formato PDF para todos los kines planetarios.

Descargar “El Descubrimiento de la Ley del Tiempo” por José y Lloydine Argüelles.

Books_11&22
Imagen Central: El librillo original “T(E)=Arte. El Descubrimiento de la Ley del Tiempo” por José y Lloydine Argüelles. Hacer clic para agrandar.

El presente Ensayo Periodístico reconstruye la historia del descubrimiento del Tiempo es Arte, además de restaurar la memoria sagrada femenina de la participación de Lloydine Bolon Ik en tan notable hallazgo para la visión universal de la Paz Planetaria. In Lak’ech.

Continue reading “El Tiempo es Arte: El Descubrimiento de la Ley del Tiempo por José y Lloydine Argüelles. Legado del Arte Planetario. “

11:11:19:19 Crystal Hologram: The Solar Sequence of Ascension

The entrance into the first Tzolkin Heart of the current Magnetic Wizard Year, marks the conclusion of a timeless Crystal Hologram of Ascension right at the Centre of the Harmonic 33. This multi-dimensional portal was opened through the recent Transit of Mercury on 11.11.19 (11 November 2019), covering a 9-day period until 19 November (19.11). As it will be observed through this article, this 11:11:19:19 Hologram is a timeless transmission which accurately inscribes the Solar Sequence of Ascension of the Crystal Prophecy, here demonstrated through the interaction of the 13:20, 11:11, 19:19 and the 33:33 matrix systems. 

Tune In Crystal Audio Meditation:


Truth is Always Inscribed

“Never forget, children of the Day of Truth: All is Number. God is a Number. God is in All.“–Telektonon of Pacal Votan by Jose & Lloydine Argüelles (Valum Votan & Bolon Ik)

As it has been pointed out across the Tortuga 13:20 communications, we sustain that all Spiritual Truth is always Inscribed because it can be scientifically proven; weather by the decipherment of ancient inscriptions, or by concepts inscribed within universal theoretical frames, or even better when spiritual revelations are inscribed through number on the multi-dimensional matrix systems. These aspects of spiritual evidence are the key to dissolve ignorance, to distinguish truth from fallacy, reality from illusion. By mastering these methods, the spiritual seekers cannot be easily manipulated by spiritual parasites, whose false vanity claims constitute a red herring that is never inscribed on any account.

By contrast, the spiritual inscriptions on the matrix systems contain the mathematical blueprint and sacred geometry of the holographic cosmos, the numeric divine source of all archetypal beings. It is exactly through these multi-dimensional lens that we can find the hidden messages behind the celestial events of our holographic cosmos, thus receiving the insights from our higher levels of existence.

A great example of this is the recent and rare astronomical event of Mercury Transit 2019 on the symbolic date of 11 November (coded 11.11.19), which has opened a 9-day hologram of multidimensional synchronicity. A timeless portal that has been unfolding right at the Mystical Central Column of the 13:20 Dreamspell Tzolkin, precisely leaded by Kin 121 (11×11), which evidently represents the Power of 11. The inscription of this hologram turns even more significative if we consider that it unfolds within the first Tzolkin Mystic Column of the actual Magnetic Wizard Year, and that the portal concludes on 19 November 2019 (coded 19.11.19 or 11.19.19), right on Kin 130, the Heart of the Tzolkin and the Harmonic 33.

Evidently, these dates exactly refer to the Crystal Codes of 11:11, 19:11, 19:19 which are contained within the hyper-dimensional system of the 19:19 Crystal Matrix (19 Matrix). And, as it will be observed across this writing, this 11:11:19:19 Portal demonstrates the Crystal Hologram of the 19:19 Solar Sequence of Ascension. In this way, the encoded wisdom behind the celestial event of Mercury is clearly the Crystal Model of Ascension, which is the same model already inscribed by the 19:19 Pyramid Hologram of the Maya Twin Archetypes: King Pakal and Queen Tz’akbu on behalf of the Telektonon’s Galactic Maya Archetypes of Pakal Votan and Bolon Ik. (See videos at the end of this writing). 

The 11:11:19:19 Crystal Hologram is also demonstrated through the multi-dimensional interaction of the 13:20, 11:11, 19:19 and the 33:33 matrix systems. The Crystal Prophecy has always been Inscribed!

Continue reading “11:11:19:19 Crystal Hologram: The Solar Sequence of Ascension”

Noospheric Emergence pART 10: The Mercury Transit of 11.11.19 – Portal to Synchronicity

Given its rare occurrence, the passage of celestial bodies across the solar disk were revered as SPECIAL and carefully documented over time by many ancient cultures.

The coming Mercury Transit of November 11 (11.11) is taking place enshrined by an auspicious set of synchronicities and Master Numerical Alignments within the fabric of TIME-SPACE.

Mercury_transit-11-11-skywalk

This 11.11 portal is opening once again a perfect window of opportunity to look up to the sky and tune in to a Higher Order of reality, entirely governed by Synchronicity! The 11.11 date acts as an open doorway inviting us to enter into resonance with the larger patterns in nature and explore in more depth some of the synchronizations and numerical messages encoded in the cycles of the “planet of communication”…

From the perspective of the synchronic order, this Mercury Transit represents then a portal of key multi-dimensional significance. This can be considered the most rare celestial event of the year… How is this?

Continue reading “Noospheric Emergence pART 10: The Mercury Transit of 11.11.19 – Portal to Synchronicity”

The Telektonon Trinity: Part 5D. The White Queen and Kin 119

“The Crystal Prophecy is yours to own.”
“Every man is Pakal and every woman is Bolon Ik.”
Telektonon by José and Lloydine Argüelles.
On behalf of Pakal Votan & Bolon Ik.

Kin 119 and the White Queen of the Crystal Prophecy!

The date of 8 November 2019, NS 1.32.4.22, Kin 119 (Lunar Storm) marks 1 Tzolkin (260 days) until the beginning of the New Dreamspell Year of the Blue Lunar Storm on 26 July 2020. This Kin is guided by Kin 171 (2 Monkey = 2.11 = 11.11), and it has a remarkable significance within the Galactic Maya Cosmology brought forth by Valum Votan & Bolon Ik.

On one side, Kin 119 refers to the total number of 119 unique pieces found in the malachite mask of the Maya Queen Tz’akbu Ajaw of Lakamha’ (Palenque) who was buried in Temple XIII (13). She was the only wife of King Pakal the Great, and also the Archetypal Mother of the Maya dynasty of Lakamha’ during its golden years.

Kin-119-bolon-ik-tzakbu

Synchronically in the year 1960, the Archetypal Mother of Dreamspell, Lloydine Bolon Ik, was crowned Queen of the Bethel “Number 119″ of the Job’s Daughters from the Mill Valley’s Masonic Lodge (California, USA). Lloydine was 16 years old (4×4), and she was dressed in a white robe and a purple cape to be honoured with a real golden crown. Actually, the golden pattern of the Job’s daughters cape is exactly the same pattern of the border of the Telektonon’s Game of Prophecy (Jose and Lloydine Argüelles, 1994-1995).

Equally relevant, Kin 119 is coded 2.19 or 19.2 (Tone 2, Seal 19), therefore it expresses 19:19, the code of the 19:19 Crystal Matrix, which precisely represents the continuity of the Telektonon’s Crystal Prophecy after the dimensional shift of 2012-2013. This has been demonstrated through the 19:19 Twin Pyramid Hologram Transmissions of the Maya King Pakal and the Queen Tz’akbu (watch below).

In this way, Number 119 inscribes with precision key numeric factors of the Galactic Maya Telektonon’s Crystal Prophecy, where the Queen Tz’akbu and Lloydine Bolon Ik symbolise the “White Queens” of the White Wind of Bolon Ik. Just as Pakal and Valum represent the Votan Archetype Twins of the Galactic Maya Cosmology.

Learn more about the “White Queen” lineage of Bolon Ik on the blog below by author Gar Magusa, Kin 34.

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DS Kin 45, LC Kin 259

Today, we are 119 days away from the Omega point of the Dreamtime Telektonon. 119 is a powerful number to meditate upon, because there are exactly 119 individual pieces of malachite (not jade as previously claimed by some) that form the mask that was found in the tomb of Pakal Votans one and only wife, Queen Ix Tz’akbu Ajaw in Temple XIII, Palenque. She was the mother of the Palenque Dynasty, and holder of the sacred lineage of Bolon Ik.

In these final 119 days, piece by peace, we will discover the true meaning behind the mask of the White Queen of Palenque. We have been called upon to look deeper into the mystery that we have all been initiated into by meditating upon the roles of archetypes who brought us to the wisdom, in the Realtime as in the Dreamtime. A collective initiation rite has been endowed…

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Noospheric Emergence pART 9: Harmonic Convergence of Golden Proportions

As LIFE on Earth seems to be spiraling into increasing levels of dissonance and chaos, there is a parallel reality taking place behind the world of appearances. A silent melody is playing in the background sounding the music of the spheres and uncovering an entire new reality landscape embedded with unparalleled beauty and elegance. How can we get in touch with this parallel world of harmony?

The window comprised between October 21-26, 2019 is offering us a unique opportunity to appreciate the Golden Proportion operating through the fabric of TIME-SPACE. This 5-day window holds a UNIQUE combination of harmonic ratios that can assist us in synchronizing and attuning ourselves to the Golden Proportion: the orchestrating intelligence behind ALL LIFE and its evolutionary processes on Earth.

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Continue reading “Noospheric Emergence pART 9: Harmonic Convergence of Golden Proportions”

Noospheric Emergence pART 8: The Harmonic Convergence of Timelines

Mid-October is every year a window of great historic significance considering that it is during this time when two of the most dramatic “timeline trigger events” on Earth took place:

• The “discovery” of the “New World” by Columbus on October 12, 1492
• The start of the Gregorian Calendar on October 15, 1582

How are these 2 events connected in time? Every year, these events are commemorated through the celebration of holidays that serve as memory anchors to hold the old paradigm, the old hologram and the old calendar in place. However, this situation has been shifting . Today we are starting to understand that history evolves as we have access to more information and gain more insight on events from the past.

As we have been presenting here since the start of 2019, this year marks a VERY SPECIAL threshold in the INTEGRATION OF TIMELINES and the progressive dismantling of the old obsolete structures and systems. How is this?

Continue reading “Noospheric Emergence pART 8: The Harmonic Convergence of Timelines”

Magnetic Wizard Year: An Initiation into the Higher Dimensions of Timelessness

[Versión en Español aquí]

The higher-dimensional Archetype of the White Wizard has a profound significance within the spiritual evolution of humankind.

The beginning of the new Magnetic Wizard Year on 26 July 2019 (Kin 14), has initiated the new 13-year cycle of the White Wizard, according to the Wizard’s Count of the Dreamspell / 13 Moons.

During this new period, the Dreamspell Initiate is invited to reawaken the White Wizard within, in order to shift from the 4th Dimension of Time towards the higher dimensions of Timelessness.

magnetic-wizard-year

By the same token, the date 26 July 2019 has also signalled the END and the START of a masterful fractal synchronisation sequence of nested cycles within cycles of time at multiple harmonic scales. These Divine Synchronisations are coded by the numbers 33:33, the 27:27:27 and 144:144.  The perfect entrance into a New 13:28 Cycle of Prophecy!

Continue reading “Magnetic Wizard Year: An Initiation into the Higher Dimensions of Timelessness”

Año del Mago Magnético: Una Iniciación en las Dimensiones Superiores de la Atemporalidad.

[English version here]

El Arquetipo dimensional superior del Mago Blanco encierra un profundo significado dentro de la evolución espiritual de la humanidad.

El comienzo del nuevo Año del Mago Magnético, el pasado 26 de julio de 2019 (Kin 14), ha iniciado el nuevo ciclo de 13 años del Mago Blanco, según lo establece la Cuenta del Mago del Dreamspell / 13 Lunas.

Durante este nuevo período, el Iniciado del Encantamiento del Sueño (Iniciado Dreamspell) está invitado a despertar a su Mago Blanco interno o a su Maga Blanca interna, con el fin de avanzar  desde la 4ta Dimensión del Tiempo hacia las dimensiones superiores de la Atemporalidad.

mago-magnetico-blanco

A su vez, la fecha del 26 de Julio de 2019 ha señalado el Fin y el Inicio de una magistral secuencia de sincronización fractal de ciclos de tiempo, anidados dentro de ciclos más largos conectados a través de múltiples escalas armónicas. Estas Sincronías Divinas están codificadas por los números 33:33, el 27:27:27 y 144:144. Se trata entonces de la entrada perfecta a un Nuevo Ciclo de Profecía 13:28 !

Continue reading “Año del Mago Magnético: Una Iniciación en las Dimensiones Superiores de la Atemporalidad.”