The arrival of the Galactic Maya New Year of the Blue Lunar Storm on 26 July 2020 is coded by Kin 119, thus marking the 33rd Anniversary of the Dreamspell Count, as well as the completion of 7 years since the Timeship Earth 2013.
Also dubbed as the Wizard’s Count, the Dreamspell was initiated 33 years ago on 26 July 1987 (Galactic Wizard Year, coded by Kin 34). Its authors, Jose and Lloydine Argüelles (Valum Votan & Bolon Ik), established this first Dreamspell Year in 1987 as the 26-year countdown towards the dimensional shift of 2012-2013 (Timeship Earth 2013), which was observed 7 years ago with the Galactic Seed Synchronisation (26 July 2013, Kin 164).
In addition to synchronising the relevant 33-year and 7-year milestones of the Dreamspell Count, the new solar cycle of the Lunar Storm Year is nested within the greater 13-year Cycle of the White Wizard (2019-2032), which contains the Power of Timelessness. The Lunar Storm Year marks the second year of this cycle and thus it constitutes the Lunar Chamber 2 of Challenge within this greater 13-year wavespell.
In this way, Kin 119: Blue Lunar Storm is a transformational catalyser for the Ascension from 4D Time towards the next dimensions of spiritual consciousness (5D, 6D, 7D). Accordingly, the key to access these higher dimensions of timelessness is to fathom the multidimensional meaning of Kin 119 (2 Storm), the Kin bearer of the Blue Lunar Storm Year.
As it will be observed, Kin 119 encodes both the double Power of 19 and the unfolding revelation of the Crystal Prophecy inscribed on the 13:20 Tzolkin Matrix, the Telektonon Matrix and the 19:19 Crystal Matrix, amongst others.
Kin 119 also refers to the number 119 that unravels the feminine balance mystery of the Bolon Ik Archetype, thus restoring the Unified Transmission of the Twin Crystal Archetypes of the Galactic Maya, Pakal Votan and Bolon Ik. United as one, they embody and teach the Crystal Model of Ascension.
All in all, the synchronic order is informing us that Kin 119 is not only the evolutionary challenge of the 13-year Wizard Cycle of Timelessness, but also the divine synchroniser of the 33-year and 7-year milestones of the Galactic Maya Dreamspell Count.
”In the Fourth Dimension Time enters the Crystal, refracts between the angels, and exits as a Rainbow of Timelessness.” (19:19 Crystal Matrix)
On this auspicious Blue Lunar Storm Year, Tortuga 13:20 is also proud to present the “Realtime Dreamtime Crystal Codex”, a Free 4-year education program for Planetary Kin. In Lak’ech <3
The Blue Storm and Number 19
In the Dreamspell transcreation of the Maya Tzolkin, the Blue Storm is the 19th Solar Seal. This seal was inspired on the original Maya glyph of Kawak which signifies “Storm, Divine Ray, Thunder and Rains” and it was also associated with number 19.
The sign of Kawak is part of the Maya Myth of Creation, which used to be represented by a turtle (tortuga) carrying 3 signs of Kawak on its shell (Murals of Bonampak and Madrid Codex). Precisely, the 3 signs of Kawak relate to the Maya sign of 3 Kawak (3 Storm) which precedes 4 Ajaw (4 Sun), the Kin bearer of all the Great Maya Baktun Cycles of Time. For example, 21 December 2012 was 4 Ajaw, preceded by 3 Kawak.
Exactly, before life emerged on Earth, our planet was under heavy storms whose rains formed the oceans where life began. Thus, the Storm represents the necessary Transformation that occurs before a New Creation takes place. It symbolises the Change of Paradigm towards the Evolution of Consciousness. The rains wash away the old perceptions. The Divine Rays manifests the New Revelation.
In the Dreamspell, the Blue Storm is part of the “Blue Root Race” of the Spiritual Transformers. The Storm Archetype has the action of Catalysing, the essence of Energy and the power of Self-Generation. Therefore, the Blue Storm is the catalyser of the transformation, as well as the energetic power that manifests the self-generative rebirth, in order to embody the new beginning.
As mentioned above, Number 19 codes both, the Dreamspell 19th seal of Storm and the Maya Tzolkin 19th glyph of Kawak. The ancient significance of number 19 has been represented through the 19 Circles of the Flower of Life. There also existed the ancient observance of the Metonic Cycle of 19 years, a period after which the Moon’s phases recur on the same days of the Solar Year.
Within Maya Cosmology, number 19 is also a Divine Number because in their vigesimal system known as the Maya Code 0-19, this is the higher number that can be represented with bars and dots (3 bars and 4 dots = 19). Authors Jose and Lloydine Argüelles called it the “0-19 Galactic Notation” in the publications of Dreamspell (1991) and the Thirteen Moons in Motion (1992).
By the same token, the 20 glyphs of the Ancestral Maya Tzolkin are also represented with the numeric values of the Maya Code 0-19, where Ajaw (Sun) represents the zero value, while Kawak (Storm) represents the higher value of 19. Enigmatically, according to INAH Mexico, the inscriptions on Passage 19 of the Pyramid Temple of the Maya King Pakal were consecrated to his ascension, registering that he died on 6 Etz’nab (6 Mirror).
José Argüelles (Valum Votan) also studied the 19 Code in Maya calendrics and the Holy Quran: “Over it is Nineteen.” He also established its connection to number 260 of the Tzolkin sequence on his publication 19=260 via the Planet Art Network (1999).
Years later, the public arrival of the 19:19 Crystal Matrix on 26 July 2013 (Timeship Earth 2013) established that 19 is the sacred Crystal Code, because the double terminated quartz cristal has 6+6+6 facets + 1 activation centre = 19.
The revelation of number 19, as the mystical activation centre of the crystal, is harmonic with the Telektonon Prophecy transcribed by Valum Votan and Bolon Ik in 1994. In this way, the Power of 19 unveils the Mystery of the White Stone of Telektonon which is the Crystal.
Kin 119 and the Crystal Prophecy
Kin 119 is the last day of the Galactic Season of the Blue Eagle, which starts on Kin 55 (Electric Eagle) and representes the Blue Sky element and the Power of Vision. Therefore, Kin 119 is the Omega Kin of the transformative blue spectrum of 65 days of the Dreamspell Journey.
KIN 119: Blue Lunar Storm
I polarize in order to catalyze
I seal the matrix of self-generation
With the lunar tone of challenge
I am guided by the power of magic
From a numeric perspective, Kin 119 (Lunar Storm) is coded 2.19 or 19.2 (Seal 19 Storm, Tone 2 ), therefore it contains the double power of number 19 (2.19 = 19.19). It is also interesting to notice that the Destiny Oracle of Kin 119 is Guided by Kin 171 (Lunar Monkey) which is coded 2.11 or 11.2 (Seal 11 Monkey, Tone 2), therefore it contains the double power of number 11 (2.11 = 11.11). Note that Jose Valum Votan was rotating as Kin 171 (2.11 = 11.11) in 1995, the year of the Telektonon publication.
In this way, Kin 119 contains the double power of 19 (19.19) and it is guided by the double power of 11 (11.11). Precisely, the 19:11 vector represents the main code of the Crystal Matrix, which is composed by a main Outer Matrix of 19:19 and an Inner Matrix of 11:11. Thus, the 19:11 Code is the inter-dimensional axis point where the 19 Matrix and the 11 Matrix meet on Day 241, when the Two Crystal Archetypes become One (See Image: Green crystal on Day 241).
As demonstrated by the Crystal Matrix system, the 19.11 Code represents the Transmission of the Solar Crystal Earth because 19.11 is the Square Root of the number of days of the Earth’s orbit around the Sun. Therefore √ 365.24 days = 19.11.
The 19.11 Code is a highly relevant code within the Galactic Maya Crystal Prophecy which is also contained on Kin 219 (Spectral Storm), coded 19.11 (19 Storm, Tone 11). Learn more about the 19:11 Code, the 11:11 and 19:19 matrices.
Back to the kin bearer of the Lunar Storm Year, the Kin 119 represents the Lunar Tone 2 of Challenge of the White Mirror Wavespell of Endlessness.
Precisely the Dreamspell seal of Mirror was inspired on the Maya glyph of Etz’nab, which signifies “Flint,” “Silex Quartz” (Silica, Obsidian) and “Destiny.” This glyph was associated with colour white and it used to represent mirrors, knife blades and other tools that were made of silica or obsidian by the Ancient Maya. Therefore, Etz’nab relates to the quartz family, the same family of the quartz crystal.
The Mirror Wavespell is coded by Kin 118 (Magnetic Mirror) and it represents the Purpose and Power of 18 because Mirror is the Solar Seal 18. Exactly, number 18 contains the 18 facets of the double terminated quartz crystal (6+6+6=18). The crystal is then activated through the Power of 19 (18 facets + 1 centre = 19).
Furthermore, the crystal purpose of Kin 118 and the crystal activation of Kin 119 are bound together to the Galactic Maya Transmission of the Twin Archetypes of Telektonon (Pakal Votan and Bolon Ik).
On the one hand, Kin 118 (1 Mirror = 1 Etz’nab) is the Ascension Code of King Pakal the Great (Alpha Birth 8 Ajaw / Kin 60 + Omega Death 5 Etz’nab / Kin 58 = Kin 118). He represents the Pakal Votan Archetype within the Telektonon Prophecy.
On the feminine side of the story, Kin 119 relates to the total number of 119 unique pieces found in the malachite mask of the Maya Queen Tz’akbu Ajaw of Lakamha’ (Palenque), according to official communications by INAH Mexico (12 August 2016). The Queen Tz’akbu was the only one wife of King Pakal, who was buried inside the Temple XIII (13) next to Pakal’s Temple. She was the Archetypal Mother of the Maya dynasty of Lakamha’ during its golden years.
The Queen Tz’akbu was also lineage holder of Bolon Ik, the sign of main deity of the Paleque Triad, who was born on 9 Ik = 9 Wind = Kin 22 (Bolon Ik). For example, in the image below, the Queen Tz’akbu depicts Bolon Ik in the inscriptions of the Panel of Temple XIV (14) in Palenque. Note the sign of 9 Ik (9 Wind) in the top left corner and the Ik wind cape of Tz’akbu. Click image to enlarge.
Synchronically, the number 119 of the mask of Queen Tz’akbu also relates to the Archetypal Mother of Dreamspell, Lloydine Bolon Ik (Kin 22). In the year 1960, Lloydine was crowned “Honoured Queen of Bethel Number 119” of the Job’s Daughters from the Mill Valley’s Masonic Lodge in California, USA. Lloydine was then 16 years old (4×4), and she was dressed in a white robe and a purple cape to be honoured with a real gold crown. The Bethel Number 119 is a Masonic Lodge that still exists in California, a place where Lloydine joined the Job’s Daughters and eventually became the Honoured Queen 119.
Precisely, Lloydine was rotating as Kin 142 (Crystal Wind) when she was crowned Queen 119 in the year 1960. Note that Kin 142 (12 Wind) is exactly the Occult Power of Kin 119. In this way, the Occult Power of the Lunar Storm Year is the Crystal Wind that marked the Queen 119. The Crystalline Wind of Change.
Therefore, on the one hand, Kin 118 (Magnetic Mirror) represents the Masculine Archetype of Pakal Votan in Telektonon while, on the other, Kin 119 representes the Feminine Archetype of Bolon Ik. Both archetypes are linked to the Mystery of the White Crystal Stone, where Kin 118 representes the Crystal Purpose of 18 (6+6+6), while Kin 119 represents the Crystal Activation though the double power of 19 (6+6+6+1 x 2 = 19.19). In this way, the double power of 19 also contains the Twin Crystal Archetypes (19.19) of the Telektonon Prophecy: Pakal Votan and Bolon Ik.
This probably explains the reason why the archetypal emanations of Valum Votan and Bolon Ik (VV & BI), embodied by co-authors Jose and Lloydine Argüelles, transcribed the Telektonon “on behalf of Pakal Votan and Bolon Ik” as it is inscribed on the Telektonon’s front page. The emanations of VV & BI were actually receiving the Telektonon Transmission from Pakal Votan and Bolon Ik.
Intriguingly, Jose and Lloydine published the Telektonon Game in 1995 but they transcribed it at the beginning of 1994, the same year of the discovery of the tomb of the Queen Tz’akbu on 16 May 1994 (Source INAH, see the Galactic Feminine report). The discovery was precisely on the day after Lloydine’s birthday and on the same date that marked her ascension 20 years later on 16 May 2014.
In other words, Lloydine Bolon Ik ascended on exact completion of 1 Maya Katun (20 years) after the discovery of the Maya Queen Tz’akbu Ajaw of Lakamha’ (Palenque Temple 13).
- 16 May 1994 – Moon 11.15 – Discovery of Queen Tz’akbu (9 Mirror)
- 16 May 2014 – Moon 11.15 – Ascension Lloydine Bolon Ik (3 Mirror)
- Both dates on Mirror days = Crystal days.
In this way, Lloydine’s Ascension inscribed the 13:20 frequency, marking 20 years since the Discovery of Tz’akbu in Temple 13. Therefore, the date 16 May and Number 119 are key synchronic signs that confirm the Galactic Feminine Maya lineage of the Bolon Ik Archetype. (See: The Galactic Feminine Cycles of Bolon Ik, Venus and the Maya Queen Tz’akbu)
Mysteriously, Number 119 simplifies as 11.9 which is a numerical fractal related to the code of Kin 191 (Solar Monkey), expressed as 11.9 or 9.11 (Seal 11 Monkey, Tone 9). Exactly, Kin 191 (coded 11.9) marked the White Wedding of Jose and Lloydine on 21 September 1983 (International Peace Day, Equinox and Full Moon).
Exactly, the same 11.9 code marked the Ascension of Jose Valum Votan on Kin 89 (Spectral Moon), coded 11.9 or 9.11 (Moon Seal 9, Spectral Tone 11). Note: His Ascension is also coded 19.11 (Wavespell of Seal 19 Storm, Tone 11).
On the other side, Number 119 inverted is 911, the emergency telephone number in the USA, as well as the theme number of the last bestseller book by Jose Argüelles, Time and the Technosphere (2002). In this book, Jose focused on to the fall of the Twin Towers of New York on date 9.11 (September 11, 2001).
From a multidimensional perspective, the inverted number 911 represents the fall and separation of the Twin Crystal Archetypes, the discordant note against their unified transmission. In a cryptic way, the prophetic separation has always been inscribed within the Telektonon Prophecy, where the Pakal Votan Archetype is tested inside the Warrior Cube, while the Bolon Ik Archetype awaits in the heavenly path of purity.
On the other side, Number 119 encodes the Feminine Balance of the Twin Crystal Archetypes of the Galactic Maya Transmission of Telektonon. They are the Pakal Votan and Bolon Ik Archetypes, who were represented by the emanations of King Pakal and Queen Tz’akbu in the Maya RealTime, and by the emanations of their future selves, Valum Votan and Bolon Ik in the Galactic Maya DreamTime.
Since the prophetic separation comes inscribed from the higher dimensions of Telektonon, the emanations of Valum Votan and Bolon Ik would also divide in the 3rd Dimension as part of a higher teaching. Exactly, the separation of these Twin Archetypes occurred at the end of 2002, the same year of the publication of Time and the Techosphere by Jose Argüelles, ironically dedicated to the fall of the Twin Towers.
Precisely, 19 years have elapsed between the destruction of the Twin Towers in 2001 (coded by 911) and the current reconstruction of the Twin Crystal Archetypes in 2020 (Coded by 119). Thus, the Lunar Storm Year represents the restoration of the Twin Crystal Archetypes, which comes inscribed from the higher dimensions because it encodes a multidimensional teaching.
- In the Telektonon Matrix, the restoration is known as the Lovers’ Reunion of Pakal Votan and Bolon Ik on Unit 23, the beginning of the Heaven Walk.
- In the 19:19 Crystal Matrix, the reunion is known as Day 241, when the Two Crystal Archetypes become One on Unit 241 (Two for One) and start walking towards the centre of 19:19, which represents the Ascension to the 19:19 Pyramid Hologram. (Watch related videos at the end of this article)
All in all, both matrices teach the Ascension Model of the Crystal Prophecy, before and after the quantum leap of 2012-2013. This is exactly the transformational shift of 2012-2013 now rippling again via the Lunar Storm Year.
The Crystal Prophecy Shift
“The Crystal Prophecy is yours to own,
By these great powers
undo the Mystery of the Stone!”
—The 20 Tablets presented by Valum Votan & Bolon Ik
As mentioned at the beginning, the synchronic order is informing us that the Lunar Storm Year, coded by Kin 119, is the divine synchroniser of the 33-year and 7-year milestones of the Galactic Maya Dreamspell Count (26 July 1987-2013-2020).
Without a doubt, Valum Votan & Bolon Ik (VV & BI) must have dreamt with the convergence of the double power of 19 with the 33-year milestone of the Wizard’s Count in 2020. As co-creators of the Maya Dreamspell realm, they personally added up to Master Kin 33 (VV Kin 11 + BI Kin 22 = Kin 33 = Resonant Skywalker), and they also set the Harmonic 33 at the centre of the Dreamspell Tzolkin Matrix. They must also have been aware that the Lunar Storm Year would complete 7 years after the Timeship Earth 2013 (26 July 2013-2020). All in all, the Power of 7 is a key aspect of their Kin 33 (7 Skywalker), the resonant channel of the Seventh Power which they imbued across their visionary work (Dreamspell, 13 Moons in Motion, Telektonon Prophecy, 20 Tablets, 28 Meditations, amongst others).
It was also indicated at the beginning, that the Lunar Storm Year represents the evolutionary challenge of the 13-year Wizard Cycle of Timelessness, and that the key to access the higher dimensions of timelessness is to fully fathom the multidimensional meaning of Kin 119.
As demonstrated, Kin 119 is a transformational catalyser which codes both, the double Power of 19 and the unfolding revelation of the Crystal Prophecy inscribed on the 13:20 Tzolkin Matrix, the Telektonon Matrix and the 19:19 Crystal Matrix, amongst others.
Kin 119 also refers to the number 119 that unravels the divine feminine balance of the Bolon Ik Archetype, thus restoring the Unified Transmission of the Twin Crystal Archetypes of the Galactic Maya, Pakal Votan and Bolon Ik. United as One, they embody and teach the Crystal Model of Ascension.
Before the shift of 2012-2013, the Galactic Maya focus was on the Masculine Archetypes of Pakal Votan and Valum Votan. Little was known about the real identity of the Maya Queen Tz’akbu as lineage holder of the White Wind of Bolon Ik.
Before the decipherment of Tz’akbu identity, she was unfortunately known by the old nickname of “Red Queen” which was temporarily given by the archaeologists. However, this nickname doesn’t represent a real Maya Archetype because it is not inscribed in the Maya temples. Besides, this nickname has had a historical negative connotation within most spiritual studies and across the popular culture. For example, the Red Queen character in Alice in Wonderland or the story of the Whore of Babylon.
Furthermore, since the archaeological evidence has demonstrated that the woman buried in Temple XIII (13) is the only one wife of Pakal, then it is then imperative to refer to this Maya Feminine Archetype by her real name.
After all, she is the Maya Queen with more inscriptions in the Ancient Maya world. Therefore, this relevant Feminine Archetype of the Maya is not anonymous, neither she represents an unfortunate nickname. Her real name is Tz’akbu Ajaw, holder of the sacred White Wind Lineage of Bolon Ik of the White Bird Kingdom of Lakamha’.
Within archetypal Maya studies, it is thus not ethically correct to project a negative nickname or false name, such as “Red Queen”, to this Sacred Feminine Archetype of the Maya. Least of all is the use of this false projection to support the cultural misappropriation of this archetype to validate self-fulfilling prophecies.
In the path of spiritual enlightenment, we are constantly being tested about what we accept as Truth. We have the choice to live by Truth or Falsity. After 2012-2013, we are invited to decode the real inscriptions of the Maya transmission, which have nothing to do with Maya fantasies or fictional characters that are not inscribed. According to the inscriptions, the Queen Tz’akbu is a real archetypal character of the Maya consciousness, while the nickname of “Red Queen” is a fictional cartoon-like character which is not part of the Maya consciousness.
“Whilst the confusion this has brought may appear chaotic, you must remember that this is the negative effect of the illusion dissolving – a prime example of cognitive dissonance.”––Gar Magusa (2017: Telektonon Trinity Part 5D)
This change of paradigm may indeed cause some confusion, because this is exactly what it happens when the Blue Storm dissolves the illusion. As wisely put by Lloydine Bolon Ik, this is precisely the challenge.
“Without a challenge, we would never grow. Polarising means to be able to move. If we try to hold always on a straight line, we would not be able to be human.”––Lloydine Bolon Ik (28 Meditations, 1999)
After the quantum leap of 2012-2013, the Galactic Feminine has been polarising the straight line of the masculine script, not to overtake but to restore the Divine Masculine-Feminine Balance of the Galactic Maya Transmission. It is wise to realise that the masculine is not the sole owner of this transmission, and that it was not for him to speak on behalf of the Bolon Ik Archetype, neither to change the script or attempt removing her divine feminine balance. After all, it is Pakal Votan who receives the transmission from Bolon Ik in Telektonon, the Mother of All Prophecy.
After the shift of 2012-2013, it is clear that the Bolon Ik Archetype encodes the divine terma of the Archetypal White Queens of the Crystal Prophecy. They are the Maya Queen Tz’kabu Ajaw in the Maya RealTime, and the Honoured Queen 119, Lloydine Bolon Ik, in the Galactic Maya DreamTime. Without the White Solar Wind of Bolon Ik, the Galactic Maya Transmission wouldn’t exist, in the same way it wouldn’t exist without Pakal Votan. The twin archetypes can only exist if the other one exists.
“Telektonon, the inner sun, the Mother of All Prophecy. Message of the star witness, Bolon Ik, received and repeated by her servant in love, Pakal Votan.”
“As the special witness of time, I have left for you my Talking Stone, Telektonon, breath of precious Bolon Ik.”
––Telektonon Verses 3 & 75
Thus, the Galactic Maya Transmission is the Unified Telepathic Transmission of the Twin Crystal Archetypes of Telektonon, Pakal Votan and Bolon Ik. Their ancestral selves are the King Pakal and the Queen Tz’akbu in the Maya RealTime. Their future selves are Valum Votan and Bolon Ik in the Galactic Maya DreamTime.
If it is inscribed in the original Maya RealTime, it is then inscribed in the Galactic Maya DreamTime. The key is to understand that Truth is always inscribed because the divine synchronic order is always inscribed, wether it is written in stone or exists across the multidimensional matrix systems.
The restoration of the Twin Crystal Archetypes renews the transmission of the Crystal Prophecy. Two streams become a mighty river. Two crystals become one. Almost every man can be modelled according to the Pakal Votan Archetype, and almost every woman can be modelled according to the Bolon Ik Archetype. Together, they embody the Twin Crystal Model of Ascension of the Galactic Maya, the great spiritual teaching of the 2012-2013 shift.
Tune in the Twin Crystal Pyramid Hologram Transmission of King Pakal and Queen Tz’akbu on behalf of Pakal Votan and Bolon Ik.
In this way, the Lunar Storm Year coded by 119 ripples the multidimensional shift of 2012-2013, thus bringing the transformational challenge of the Crystal Prophecy to awaken the Crystal Archetype within. This hyper-dimensional model empowers our own personal quantum leap to ascend from 3D and 4D Time towards the higher dimensions of timelessness, starting with the 5th Dimension of Prophecy through the Crystal Prophecy.
As a catalyser agent of transformation, the Lunar Storm re-generates the Divine within and it challenges us to let go of the old perceptions. Let us explore the new world after the storm. Let us fulfil our transformative purpose on Earth. Let us attain the Ascension of our Higher Self Consciousness.
The unfolding revelation of the Crystal Prophecy is indeed contained within the hyper-dimensional Crystal Matrix of Self-Generation.
Happy Lunar Storm Year: The Transformational Shift of the Crystal Prophecy!
Anam Cara <3 In Lak’ech <3 Namaste
The Realtime Dreamtime Crystal Codex
Tortuga 13:20 is proud to present the Realtime Dreamtime Crystal Codex, a free four year education program for planetary kin. The course begins with the upcoming release of an informative free eBook introducing the main topics, and will continue over the duration of the next four years. All documents and teaching will be available via this section, so please feel free to bookmark https://www.tortuga1320.com/crystal-codex and share with your friends.
The education program, and meditation it teaches, has been purposefully designed to pave the way for the completion of the 1352 Year Samadhi of the Twin Crystal Archetypes (Pyramid Hologram Year Cubes 1320+10 = 1330+22 = 1352 Samadhi).